We expect big things from a design-themed hotel in quirky Tokyo. Does it deliver?
First impressions
There beside the bar, I spot him. A hipster.
He’s wearing Sigmund Freud specs, a red fisherman’s beanie, and most-tellingly, a look of melancholy (resting temperature for hipsters). I’ve arrived at Hotel Claska.
But I can see hipsters at home. Any old time. What I cannot see is a dog grooming salon called ‘Dog Man’, its interior visible through a window by the hotel bar. And I most certainly cannot see British actor Richard E. Grant standing in said salon filming a documentary on Japan.
“Mate, you’ve scored," says my travel companion. Could she be right? I haven’t seen my room, but with so much happening on the ground floor I’m in no rush for private time.
Guests park trendy European bikes in colours like mint green. Bar staff pour sweet potato liqueur into tumblers. Dog groomers chip at poodle hair as sculptors would at stone.
So this is what happens at a designer hotel. I’ll admit: I’ve always wanted to know.
Claska has caché in that regard. Nine years ago it made over a 1960s-vintage business traveller hotel to become Japan’s first design stay.
Since then it’s added two levels and three ‘DIY’ rooms, the latter quirkily styled by three separate designers. In total the hotel has 18 rooms, so it feels exclusive from the get-go.
That said, I wasn’t wowed from the street view.
Unlike web photos showing a building akin to a giant glowing blue cube, I didn’t think ‘designer’. I thought ‘public service’. Claska’s exterior looks faded. The first of my three gripes is that it probably needs light rejuvenation surgery. Gripe two is its location. Though set in the trendy suburb of Meguro, it’s not easily accessed by public transport. Final grumble: each room is smoke-friendly.
Once torn away from the lively lobby, I’m again waylaid, this time by ‘Gallery Shop & Do’ on the first floor. Arguably it’s Claska’s biggest success story, having spurned a sister shop every year since 2009. The latest opened in April at the refurbished Tokyo Station.
Here at Claska the shop’s space is reminiscent of a Manhattan artist’s studio. It’s all raw floor boards, high ceilings and ample light; a burrow of artisan Japanese delights. I lose myself, plus a few yen, in its network of tables displaying designer sneakers, ceramics, paper birds and tiny wooden houses.
I return to the lobby for a staff-escorted trip to my ‘Japanese Modern’ room. It’s special, but not in a way I expect. Yes, the layout is smooth. It has the biggest bed I’ve ever slept in – the size of two queen beds combined – as well as welcome touches such as roasted brown rice tea and a glassed-in bath tub. It also sports a mini living room with two Danish-looking chairs.
But the real kicker is its immense deck: an expanse of black wood, white pebbles and warm lighting. It seems bigger than the room.
In a city as cramped as Tokyo, this is true luxury. Just space. Arranged with a creative, minimalist twist.
As morning breaks above Hotel Claska, so too does my most serene moment in Japan. I’m delivered a traditional breakfast on my (sweet) suite deck. I commune appreciatively with the artful arrangement of miso soup, tofu and splayed fish.
Hotels that trade on design may seem a bit, well, pretentious. And this one is guilty of that. But Claska’s also full of whimsy. And if you’re into hotels that offer a window into a culture’s aesthetic, then it earns its hype via song lines of Japanese design: fine details, toasty lighting and lashings of wood and space.
Hotel Claska rolls spectacle, surprise and comfort into one slightly expensive package. In true modernist form, it’s not about the outside. It’s all about the contents. Even hipsters know that.
The Details
Hotel Claska: 1-3-18 Chuo-cho Meguro-ku Tokyo, 152-0001 Japan, +81 3 3719 8121; claska.com
The IT Verdict: Jennifer Pinkerton, who paid her own way and visited anonymously, says: “Highlights are all the extras: free three-hour bike hire on designer wheels, the Gallery Shop and the roof-top deck. The suites are a little pricey, but worthwhile if your soft spot is mid-century design."
Notes: Jennifer stayed in a ‘Japanese Modern’room and paid $670 for the night.
bias-free: All IT reviews are conducted anonymously, and our writers pay their own way – so we experience exactly what you would.
Want to see more stories from International Traveller in your Google search results?
After youth-led protests in 2025, this year Nepal elected a 35-year-old former rapper as Prime Minister. In a country where tourism is its biggest industry, what’s next for travellers?
In 1986, Nepal changed its clock. It had used India Standard Time since 1920 so, to differentiate, it wound its clock 15 minutes ahead of, not behind, its big-brother neighbour. Boss move. “Nepal is strongly opposed to the idea that our identity is connected to India,” says Community Homestay Network (CHN) guide Bikal Khanal.
Tharu dance is traditionally set to hand drums. (Credit: Kate Lewis)
Today, Nepal is the only independent country with a 45-minute deviation to universal time; an oddity that’s become a symbol of national pride. The quirk is nearly as endearing as Kathmandu’s Tribhuvan airport where carved varnished wood and shiny red bricks rule. One sign points to a ‘Travelator’ and another to a ‘Grievance Handling Desk’ while visas are noisily stamped at customs for US dollars, cash only. When am I?
Spot the endemic Nepal gray langur. (Credit: Simon Urwin)
The 15 or 45 minute anomaly sees me tap out completely on timezone calculations. Why bend my brain calculating if it’s quarter to or quarter past elsewhere when I’m in the honking here and now of Kathmandu where the air is high-altitude crisp, the prayer flags flutter and the street dogs howl?
How tourism is changing in Nepal
Bardiya National Park is rich with wildlife. (Credit: Simon Urwin)
India is not the only association many Nepalis would like to shake. With eight of the world’s 10 tallest mountains, including Mount Everest and Annapurna, Nepal has long attracted mountaineers and trekkers, and expedition numbers are continuing to rise.
Tourism is one of the country’s biggest sources of foreign currency, so this growth is not negative, per se. But according to Ang Tshering Lama, who co-founded Phaplu Mountain Bike Club, being reduced to a mere trekking destination is limiting.
“Trekking is just one layer of our identity,” says Ang. “When it becomes the dominant narrative, it limits how we’re seen and how we see ourselves.” Nepal’s recent success, however, in diverting trekkers to less-trafficked areas such as Manaslu mofuntain, where visitor numbers rose by 117 per cent last year, offers hope that tourism can diversify even more radically.
Local men in Bhada village. (Credit: Simon Urwin)
The founder of CHN, Shiva Dhakal, wants that change. “The whole idea of the Community Homestay Network is to promote experiences outside of trekking,” he says. “Community tourism changes lives and helps kids stay home instead of coming to the city or migrating to the Middle East.”
Ang grew up seeing people leave, “not because they wanted to but because there weren’t enough opportunities to stay”, he states. Yet from remote villages to living traditions; food, art, music and emerging subcultures, “there’s so much that’s not being seen.”
CHN is opening some of those doors. It doesn’t own, or fund, any homes. Rather, it promotes homestays to travellers on a single, slick platform, while fostering entrepreneurship in places where women, marginalised castes, Indigenous people and the youth stand to benefit the most.
A new generation demanding more
Dalla Town Hall, where volunteers discuss anti-poaching tactics. (Credit: Bheem Thapa)
The future prospects of next-gen Nepalis can no longer be ignored. On a Kathmandu tour with 33-year-old guide Monica K.C, we pass buildings torched in the September 2025 ‘Gen Z protests’, including the Supreme Court and Parliament House. Seventy-two people died. “They were anti-corruption protests,” says Monica. “Politicians’ children are living a lavish life but the airports are crowded with youngsters leaving to find work.”
We stop in ‘little Tibet’ at the wondrous sixth-century Boudha Stupa. “The wheel of life is Buddhism in a nutshell,” says Monica. “Things such as hate, ignorance and anger keep you rotating around the wheel, so you must follow the principles of Buddhism to detach. If you can’t, there’s no nirvana for you.”
Boudha Stupa’s prayer wheels are used to recite Buddhist prayers. (Credit: Kate Lewis)
In a sun-drenched twist to the usual temple visit, we ascend the stupa’s sloping plinth and roam its whitewashed dome. Tendrils of diaphanous prayer flags stream from a steeple-like structure where the Buddha’s unblinking eyes stare out. No nirvana for you…
Tibetan-style prayer flags embellish the whitewashed dome of Bouda Stupa, a Buddhist temple. (Credit: Kate Hennessy)
The dome is delightfully free of guard rails or chiding from security. There is, however, a stern ‘No TikTok’ sign, perhaps in response to the youth’s newly flexed power. The booted-out Prime Minister, K.P. Sharma Oli, was replaced in a resounding election victory in March by 35-year-old Balendra Shah of the Rastriya Swatantra Party (RSP) – a former rapper and mayor of Kathmandu. The RSP’s manifesto indicates tourism is a priority, and that Nepal’s cultural identity in areas such as gastronomy will be strengthened.
Vibrant souvenir shops and cafes around Boudha Stupa. (Credit: Kate Hennessy)
A more confronting stop awaits at Pashupatinath Temple. Today is Bala Chaturdashi, a Hindu festival where thousands of devotees gather to honour their dead ancestors. Vendors hauling foam mattresses do a lucrative trade as people set up for a night of vigil. This includes burning the bodies of recently deceased relatives on bamboo pyres in the Bagmati River, which flows into the sacred Ganges.
A woman at annual Hindu festival Bala Chaturdashi, in Kathmandu. (Credit: Kate Hennessy)
Wrapped in a shroud, the bodies are positioned with their heads facing north to the Himalayas where Lord Shiva resides. They’re covered with flowers and straw and set alight by male family members.
Hours later, the ashes are swept into the river where devotees will take a holy dip the next day. As much as Monica assures us it’s not voyeuristic to watch, I struggle to do so. “Here you see the reality of life because everyone ends up there,” she says, gesturing to the river.
Life unfiltered in the Terai region
Tharu woman and master weaver Parbati Chaudhary in Bhada Village. (Credit: Bheem Thapa)
The reality of life needs processing time, which the western Terai region delivers in spades. The Terai is largely separated from India by the Karnali River and Bardiya National Park, where elephants, rhinos and the elusive Bengal tiger roam.
Once a nomadic tribe, the Indigenous Tharu people are now the largest ethnic group here. “They didn’t know their daily life was interesting for international travellers but they’re starting to understand now,” says CHN founder Shiva.
Take a Jeep safari through Bardiya National Park. (Credit: Bheem Thapa)
We fly Buddha Air to Dhangadhi airport and drive five hours to stay in Tharu homes. The journey to Bhada village is a blur of roadside fruit stalls, traffic-stopping sacred cows and fields sown with wheat, rice, mustard, spinach, cauliflower and potatoes. Nepal’s agriculture feeds only Nepal.
Marigolds are an important part of Hindu rituals. (Credit: Simon Urwin)
“The only thing we export is young people,” says our guide Bikal. As the light dims and we plunge evermore rural, mysterious mounds of compacted hay – some house-sized – loom like the creatures from Where The Wild Things Are. Even our trusty driver gets flummoxed by a dirt road that abruptly ends and we find ourselves hurtling across a paddock.
On arrival, some are ferried to mud-walled cottages greened by gourd creepers, with thatched roofs and rustic-chic mosquito nets. Myself and two others are ushered to the home of corner store owner, mechanic and mushroom farmer Man Kumar Chilaruwa and his wife Rajkumari.
A warm welcome at a community homestay. (Credit: Simon Urwin)
They escort us to a bunker-esque back building with steel doors and a folding security gate, behind which is gleaming linoleum, dolphin-printed tiles and a shower cavity that must be gingerly stepped through to reach the toilet.
The ceiling lights emit a rainbow of colours (the bathroom light gets stuck in, frankly, a quite frightening red). We’re nevertheless touched that our hosts invested in all this bling when the average salary is around $275 a month.
In the coming days, we participate in Tharu traditions such as making moonshine, dancing, weaving straw handicrafts and gold-panning. We’re fed well with staples of rice, mustard greens, lentil pancakes, daal, curried chicken and tomato chutney served on antibacterial saal leaves.
Dig in. (Credit: Kate Hennessy)
Sonara community homestay president Indradevi Tharu tells us river snails are often served, and the boiled and pickled flesh of rats hunted in the rice fields. “Perhaps next time?” we say and all have a laugh.
The power of community homestays
Barda community homestay owners Parbati Chaudhary and Ram Krishni Devi Chaudhary. (Credit: Simon Urwin)
Immersing Western visitors in foreign cultural practices is not new. But with the Tharu, I never get that uneasy sensation that I’m being performed for. Despite being the only tourists, there’s no ‘othering’; just warm, composed and ultra-dignified welcomes. Like we’ve always been here.
“I love to have travellers in my village so I can see the world,” says local woman Parbati Chaudhary. “Why would I travel the world when the world comes to me?”
The graceful acceptance the Tharu offer, as well as the slow pace, works miracles on my frazzled nervous system. One day I even take a nap on a vacant homestay bed.
An authentic stay in the Sonara community. (Credit: Kate Hennessy)
Roosters strut and goats bray as we sit on the ground in al fresco kitchens, rolling rice flour into cylinders steamed to make dhikri (dumplings). When water is needed, we fetch it using a hand-operated pump as a family of ducks strolls by, side-eying us like curious neighbours.
Animal lovers will delight in Tharu villages. Kind and resourceful inventions are everywhere, such as snacking stations where two posts lean together, with leafy boughs dangling on rope for baby goats to forage from.
CHN’s CEO, Aayusha Prasain, nods knowingly when one in our group says she cried when she left her host, Shayam Chaudhary, in Bhada. Shayam’s 17-year-old son, Prashant, had translated, which deepened the connection.
“Community tourism turns travel into a relationship, not a transaction,” says Aayusha. “It places decision-making power in the hands of local communities, especially women and youth.” Since 2018, CHN has hosted more than 4000 travellers from 52 countries in 408 households, and estimates women’s participation has increased by 381 per cent.
Elephant watch. (Credit: Simon Urwin)
In the Bardiya community, where vexing human-animal conflict has been a balancing act for decades due to elephants raiding crops, long-time homestay operator Salik Ram Chaudhary says young people keep the older ones on their toes.
Gathering greens. (Credit: Bheem Thapa)
“We can’t keep homestays stagnant,” he says. “We have to upgrade our service and redefine our product or young people won’t see it as an attractive business. If we can keep evolving with this travelling trend we’re confident the youths will stay and continue it.”
Back in Kathmandu, Monica explains that after the deaths of young protestors in September, a determination had spread to not let their sacrifice be in vain. “We want to keep holding the government accountable,” she says. “We don’t know what situation we’re facing, but we’re ready to face it.”
Interested in Nepal but prefer to experience it in total comfort? Read our guide to luxury travel in Nepal.
Review - Hotel Claska, Tokyo - International Traveller Magazine
