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Why you should consider a safari without The Big Five

Almost every safari experience in South Africa begins with a list of the dangerous animals you might see.

So when Douglas Rattray proudly announces that Fugitive’s Drift has none of the Big Five, it takes me a moment to realise why he’s smiling.

 

Then it hits me. Without any man-eating lions or well-meaning but clumsy elephants to worry about, I’m free to walk around the park on my own. As an added bonus, I don’t need to worry about Africa’s most dangerous creature because the reserve is malaria-free.

A Private Encounter

At most safari lodges, having the freedom to explore the grounds whenever you want means shelling out for a personal guide and walking with an armed guard. But I can wander at my leisure at Fugitive’s Drift. The fence around the compound is locked overnight, but the gate opens a little before sunrise and I’m soon walking unaccompanied along a narrow path through tall, golden grass.

 

Ahead, I see the unmistakably slender silhouette of a giraffe’s neck and stop as it lopes towards an acacia tree. It seems unconcerned by my presence so I walk closer. I sit and watch silently as the sun lights up the irregular blotches along its neck and its bright blue tongue pulls greenery from the thorny branches.

An appropriately named dazzle of zebras

Entranced by this gentle giant, I forget there are other animals around. So I almost jump out of my skin when I hear a loud bark behind me. Furiously scanning the grass around me, I’m relieved to see a pair of striped zebras emerge from the grass in a blur and trot past me, appearing content. They’re as happy about the absence of alpha predators as I am, and are far less skittish than the animals in many other wildlife reserves.

 

A network of marked walking trails crosses the 2020-hectare reserve and I choose one that meanders high above the banks of the wide Buffalo River. A rumble in my stomach tells me that it’s time to eat. Clearly the animals feel the same way and I put off my breakfast to watch them feeding peacefully. Slender striped kudu and herds of nervous impala watch me carefully, but it’s the zebras that fascinate me the most. Even at a distance of 20 metres, their brilliant striped hides blend into one another so that it’s hard to tell where one ends and another begins. When they start moving, the stripes ripple as muscles tense and release and the effect is kaleidoscopic. Later on, I discover the collective noun for zebras is a dazzle and the magical term is entirely justified.

With no predators, the animals at Fugitive’s Drift are curious rather than alarmed

Creature Comforts

Back at my suite after breakfast, I can’t help but wonder if there’s such a thing as too much luxury. The room is enormous, with swatches of different cow hides stitched into a rug next to a luxuriant king-size bed draped with mosquito nets. The ensuite has a deep, freestanding tub with a bowl full of bath salts and a shower, but the outdoor shower on the deck is even more enticing.

 

While I wash, I look out over the area where I’ve just been walking, the dry grass in the foreground grazed by antelope (and a few cows). On the other side of the Buffalo River, I can make out broad trees and spiky crowns of succulents atop dry, trunk-like bases. The sluggish green Buffalo River flows fitfully at the bottom of a deep gorge that cuts through the landscape of long, rolling hills and, in the distance, a rocky outcrop rises skyward like a crooked finger. The plan is to visit that mountain after breakfast, but with views like this and a luxurious suite waiting for me, it occurs to me it would also be nice to just stay here all day and take short walks around the lodge.

The Lodge Museum is full of artefacts from the nearby battlesites

Heritage Tourism

The mountain in the distance is Isandlwana, and it’s among the most famous battlegrounds in colonial British history. Douglas’s late father David Rattray spent years collecting Zulu oral histories from locals and studying British documents on his way to becoming one of the leading authorities on the Anglo-Zulu war of 1879. It led him to be an early advocate for ‘heritage tourism’, which tells the story of South Africa’s human history as well as showcasing its natural wonders. It’s why the lodge’s museum and library display an outstanding collection of books and artefacts from the war.

 

In just two bloody hours, almost 5000 soldiers died on both sides at Isandlwana. It represented the greatest military defeat in colonial British history and today the rocky outcrop stands in mute remembrance of the fallen, surrounded by white cairns marking their mass graves. Fortunately, our guide is more eloquent. Mphiwa Ntanzi’s grandfather and great grandfather both fought with the Zulu warriors that day and he makes the site come alive through his stories.

Mphiwa Ntanzi recounts the action at the battle of Isandlwana

He recounts how the unprepared British were slowly encircled by the trademark Zulu ‘horns of the buffalo’ manoeuvre. He describes visceral details like British Martini-Henry rifles firing so frequently that they became too hot to handle and iklwa spears named after the sucking sound they made when plunged into an enemy’s body and twisted. Ntanzi shouts the Zulu war cry, “usuthu" and ululates as he simulates their advance, explaining that a solar eclipse darkened the field of action in the heat of the action and deepened the chaos.

 

Rarely has history seemed so vivid, and the stories Ntanzi heard from his grandfather still resonate long afterwards as we drive past slopes dotted with the broad boughs of acacia trees and villages of traditional round huts. Re-entering the reserve, we pass graceful herds of giraffe enjoying an afternoon snack and, as I hop out to take a photo, the Big Five is the furthest thing from my mind.

Even without guides, it’s possible to get incredibly close to the wildlife

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Getting there

Fugitive’s Drift is in KwaZulu Natal, five hours by car from Johannesburg and four from Durban.

 

For more on ethical and sustainable travel and wildlife experiences visit our Conscious Traveller section.

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At the foot of the pyramids, Egypt finally tells its own story

    Ancient Egyptian history has been scattered across the globe for decades, admired, preserved, and studied, but it’s rarely seen where it actually belongs. The newly opened Grand Egyptian Museum (GEM) brings it home.

    From a viewing platform inside the Grand Egyptian Museum, the Great Pyramids of Giza rise from the desert, and for a moment, it feels like modern Egypt and ancient Egypt are shaking hands. The museum, grand in name and reality, has been a long time coming—since 1992, to be exact. Towering pharaohs, relics, and entire chapters of civilisation are on display here, all in full view of the pyramids. And because the GEM is the largest archaeological museum in the world dedicated to a single civilisation, it gets to tell Egypt’s story through its own voice, something many overseas institutions, understandably, haven’t quite managed.

    Reshaping Giza

    GEM entrance and gardens
    The GEM holds its own commanding position. (Image: Natasha Bazika)

    You might expect any building beside the Great Pyramids of Giza to fade into the background, but the GEM doesn’t bow to its famous neighbours. Perfectly aligned on the same axis and vast enough to span 70 football fields, the museum is less of an addition to Giza and more of a marker of the shift from a gateway to a cultural district.

    Inside, hieroglyphs carved from alabaster sweep across the walls and triangles appear everywhere, yet it’s a 3,200-year-old, 11-metre-tall, statue of Ramesses II who commands the room. His scale dictated the soaring atrium ceilings, which pour in natural light, unusual in museums but safe for the stone artefacts displayed.

    Hieroglyphs line the walls of the main entrance of the GEM
    Hieroglyphs line the walls of the main entrance. (Image: Natasha Bazika)

    Unlike many museums, the GEM has really considered how visitors move through it. The six-storey grand staircase leads you chronologically through Egypt’s history, from the Predynastic era to the Coptic period, flanked by statues that grow in scale and complexity as you climb. Elevators and lifts run alongside, keeping the journey accessible to everyone.

    At the top, a viewing wall frames the pyramids before you enter the main gallery to see artefacts rarely seen outside tombs, including the complete contents of Tutankhamun’s tomb, a highlight for many visitors.

    Pharaohs, artefacts and everything in between

    The GEM's showpiece Ramesses II
    The GEM’s showpiece Ramesses II. (Image: Natasha Bazika)

    The GEM holds around 100,000 artefacts across seven millennia, but the experience is entirely modern. Digital panels, QR navigation and clear bilingual signage make self-guided wandering easy, while short, glare-free labels in English, Arabic and braille are colour-coded to move you from broad themes to object-level detail.

    That said, a guide adds context you don’t get from a panel. I was lucky to have Essam Al Ebd Aziz, an Egyptologist, on board a 12-day Uniworld Nile cruise, walk me through some of the museum’s standout pieces.

    Top of the list is, of course, the Tutankhamun exhibit. Almost everything from his tomb, much of it never shown outside the Valley of the Kings, is here, from his golden funerary mask to delicate jewellery and ceremonial objects. But the GEM isn’t just about one boy king.

    GEM entrance is guarded by an 11-metre-tall Ramesses II statue.
    An 11-metre-tall Ramesses II statue guards the entrance. (Image: Natasha Bazika)

    Essam points out the canopic chest of Hetepheres, mother of Khufu, where her organs were stored in alabaster. I loved the forty little marching soldier figurines from the tomb of Mesehti, all lined up and hanging on a wall. And then there’s the statue of Metri, a scribe, with piercing blue eyes carved from lapis lazuli. All these pieces, and thousands more, now sit under one roof. And for the first time, people can see Egypt’s history in one place, told in its own voice, without leaving the shadow of the pyramids. That alone changes everything.