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Skip the crowds in Johannesburg for this oceanside South African city

A visit to Cape Town reveals a storied city embracing its African soul and sublime setting in fresh new ways.

Sandwiched between the hulking sandstone mountains of the Cape Fold Belt and the glittering sapphire waters of the South Atlantic, few global cities are as spectacularly situated as Cape Town.

Rising up from the edge of its urban core like a giant altar to the gods, the flat-topped Table Mountain presides over streets awash with colour and creativity.

A cultural capital on the rise

The last time I visited Cape Town, it was a cultural capital on the rise, basking in its 2017 designation as Africa’s first UNESCO Capital of Design. Its innovative energy lifts my jetlagged spirits anew as I check into the Cape Grace hotel on the V&A Waterfront.

Reopened as a Fairmont-managed hotel earlier this year, it’s one of several grand Capetonian hotels (including the neighbouring Victoria & Alfred Hotel) fresh from an extensive post-pandemic facelift.

a look inside the Cape Grace Hotel suite bedroom
Recently refreshed Cape Grace Hotel.

Formerly decorated with antiques once owned by controversial imperialist Cecil Rhodes, the reimagining of the Cape Grace – where walls are now hung with contemporary African art and the bookshelves in my smart rooftop terrace suite are stacked with tomes by award-winning African authors – hints at a city increasingly reclaiming its African identity.

Also conveniently located on Cape Town’s historic waterfront is the Zeitz Museum of Contemporary Art Africa (MOCAA), impressively carved out of a 1920s grain silo.

the Zeitz MOCAA Atrium
Zeitz MOCAA is housed within a 1920s grain silo. (Image: Bruno Rosa)

Here Cameroon-born executive director and chief curator Koyo Kouoh, who joined the gallery in 2019, has been credited for transforming the continent’s largest collection of contemporary African and diaspora art into a more dynamic, inclusive space.

an aerial view of The Silo Hotel, Cape Town
Silo Hotel is an architectural masterpiece above Zeitz MOCAA. (Image: City of Cape Town)

Housed in the same silo building, the opulent Silo Hotel doubles as an exhibition space for contemporary African art collected by the hotel’s owner and designer Liz Biden.

the Silo Hotel’s rooftop pool
Views from Silo Hotel’s rooftop pool.

Biden is known for her fondness of bold, colourful works by the likes of South African artist Athi-Patra Ruga, whose fantastical photography work, The Night of The Long Knives 4 (2013), hangs in the lobby. Making the art here more accessible is the hotel’s own art concierge, Michael Jacobs.

the Silo Hotel lobby with African art on display
The hotel doubles as an exhibition space for contemporary African art. (Image: Mark Williams)

“Instead of focusing solely on interpretation, I encourage guests to ask questions and share their perspectives," says Michael, who was a member of the Zeitz MOCAA founding team.

“This interaction often reveals common themes like land, labour and people prevalent in many contemporary African artworks. By fostering a dialogue, I help guests connect with the stories and cultural contexts behind the pieces, deepening their appreciation and understanding."

a look inside the penthouse at Silo Hotel
The penthouse at Silo Hotel. (Image: City of Cape Town)

Vibrant and dynamic food scene

Cape Town’s food scene offers another opportunity to connect with the city’s story. Named among the world’s 30 coolest streets by Time Out in 2024, Bree Street is a popular culinary hub, with eateries lining this city-centre strip serving everything from American-style burgers to Nikkei cuisine, nodding to Cape Town’s rich cultural diversity.

the Merchant Bar & Grill restaurant, Cape Town
Nose-to-tail restaurant Merchant Bar & Grill. (Image: Claire Gunn)

Yet its stand-out restaurants are driven by African flavours. South African street food with a twist (think: boerewors sausage with grilled bacon and banana) and good times are go at desert-inspired Boma, while South African produce is heroed at new nose-to-tail restaurant Merchant Bar & Grill, where the menu shifts with the seasons.

a close-up shot of a South African dish at Merchant Bar & Grill, Cape Town
The menu is centred around South African produce. (Image: Claire Gunn)

Bree Street is also dotted with hip boutiques including Stiebeuel, known for its dreamy-soft Karoo mohair sweaters. But Jacobs sends guests with a proclivity for cutting-edge pan-African fashion to Merchants on Long, two blocks east. Browsing its racks of original designs in a riot of colours and textures, I wish I’d brought a bigger suitcase.

meal preparation at Boma on Bree, Cape Town
Boma serves South African street-style food. (Image: Paris Brummer)

Also at the forefront of African fashion and design is AKJP Studio on Kloof Street, arguably Cape Town’s second-coolest thoroughfare. Like Merchants on Long, it’s a concept store dedicated to nurturing local talent, platforming fashion and lifestyle products from up to 40 South African designers and creatives, as well as its own label centred on chic everyday wear.

Even wine tourism is evolving on the Western Cape. Just a 20-minute drive from the city, the vineyards of Constantia patchwork the foothills of the whale-backed Constantiaberg mountain. Launched in late 2023, the Constantia Wine Walk offers an immersive way to experience South Africa’s oldest wine region that goes beyond the tasting notes.

“The ‘sweet, luscious and agreeable’ dessert wines of Constantia were the toast of palaces and ballrooms across Europe in the 1700s," says Matthew Sterne, the walk’s founder and lead guide, as we begin our walk at the snow-white gates to Groot Constantia, the birthplace of South African wine.

“Along with pineapples, Constantia wine was a symbol of wealth and status – it’s said Queen Victoria drank a glass of it every night," he adds.

the exterior of Klein Constantia winery
The picturesque Klein Constantia winery. (Image: Heiko Von Fintel)

A born storyteller, Matthew expertly taps his deep knowledge of Constantia’s history as we stroll private trails linking a trio of local wineries.

Among its early pioneers, he tells our small group, was Zwarte Maria Evert, who, after being born into slavery in Cape Town not only became one of the colony’s first free Blacks, but also one of its most powerful farmers and landowners.

Her son, Johannes Colijn, put Constantia wine on the map after reaching an agreement to supply the Dutch East India Company annually from 1727, and his descendants continued to produce their sought-after wines on a subdivision of Groot Constantia until the late 1850s.

Yet the family’s significant contribution to the industry went largely unsung until recently, Sterne tells us.

As I sip and swirl from one postcard-perfect winery to the next, it becomes easier to understand why Constantia wines are now making a comeback after the local industry collapsed in the 1860s.

While some excellent dessert wines are still produced here, the sauvignon blancs and Bordeaux-style reds I sample – particularly at Klein Constantia, the historic wine farm formerly owned by Colijn – are sensational.

I reconnect with Sterne at Cape Town’s Signal Hill on a crisp autumnal morning to tackle The Lion Trail, a more adventurous storytelling experience he also founded in 2023.

After kicking off with an intro to the city’s maritime history, we track a fynbos-clad side-route around the base of Lion’s Head, Cape Town’s second most famous mountain, before dropping into a lush valley.

the Lion’s Head mountain
Lesser-known Lion’s Head Mountain. (Image: South Africa Tourism)

Here, we pause to learn about a program tracking the caracals that roam this urban forest, and while the wild cats elude us, I spot a plump hyrax (like a supersized guinea pig, known locally as a dassie) basking on the rocks at perversely picturesque Camps Bay Beach, where we snack on gourmet samosas popularised by the city’s Cape Malay community.

We zoom back to the heart of the city aboard a fleet of electric scooters. Speeding along the winding Sea Point Promenade as the swell surges against the seawall and the briny aroma of kelp fills the air, I can picture myself living here. Charismatic, complex and constantly evolving, Cape Town is a city I could never tire of.

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A traveller’s checklist

Getting there

Qantas and South African Airways fly to Cape Town via Johannesburg from Australian capitals. Uber is among the safest and most affordable local transport options.

Staying there

Soak up the mountain and water views, contemporary design and central location of the Cape Grace hotel or The Silo Hotel.

Drinking there

Learn the stories of Cape Town through the cocktail list at Fable.

a glass of cocktail at Fable, Cape Town
Cocktail hour at Fable.

Or cosy up with a whisky at the Cape Grace’s reimagined Bascule Bar.

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At the foot of the pyramids, Egypt finally tells its own story

    Ancient Egyptian history has been scattered across the globe for decades, admired, preserved, and studied, but it’s rarely seen where it actually belongs. The newly opened Grand Egyptian Museum (GEM) brings it home.

    From a viewing platform inside the Grand Egyptian Museum, the Great Pyramids of Giza rise from the desert, and for a moment, it feels like modern Egypt and ancient Egypt are shaking hands. The museum, grand in name and reality, has been a long time coming—since 1992, to be exact. Towering pharaohs, relics, and entire chapters of civilisation are on display here, all in full view of the pyramids. And because the GEM is the largest archaeological museum in the world dedicated to a single civilisation, it gets to tell Egypt’s story through its own voice, something many overseas institutions, understandably, haven’t quite managed.

    Reshaping Giza

    GEM entrance and gardens
    The GEM holds its own commanding position. (Image: Natasha Bazika)

    You might expect any building beside the Great Pyramids of Giza to fade into the background, but the GEM doesn’t bow to its famous neighbours. Perfectly aligned on the same axis and vast enough to span 70 football fields, the museum is less of an addition to Giza and more of a marker of the shift from a gateway to a cultural district.

    Inside, hieroglyphs carved from alabaster sweep across the walls and triangles appear everywhere, yet it’s a 3,200-year-old, 11-metre-tall, statue of Ramesses II who commands the room. His scale dictated the soaring atrium ceilings, which pour in natural light, unusual in museums but safe for the stone artefacts displayed.

    Hieroglyphs line the walls of the main entrance of the GEM
    Hieroglyphs line the walls of the main entrance. (Image: Natasha Bazika)

    Unlike many museums, the GEM has really considered how visitors move through it. The six-storey grand staircase leads you chronologically through Egypt’s history, from the Predynastic era to the Coptic period, flanked by statues that grow in scale and complexity as you climb. Elevators and lifts run alongside, keeping the journey accessible to everyone.

    At the top, a viewing wall frames the pyramids before you enter the main gallery to see artefacts rarely seen outside tombs, including the complete contents of Tutankhamun’s tomb, a highlight for many visitors.

    Pharaohs, artefacts and everything in between

    The GEM's showpiece Ramesses II
    The GEM’s showpiece Ramesses II. (Image: Natasha Bazika)

    The GEM holds around 100,000 artefacts across seven millennia, but the experience is entirely modern. Digital panels, QR navigation and clear bilingual signage make self-guided wandering easy, while short, glare-free labels in English, Arabic and braille are colour-coded to move you from broad themes to object-level detail.

    That said, a guide adds context you don’t get from a panel. I was lucky to have Essam Al Ebd Aziz, an Egyptologist, on board a 12-day Uniworld Nile cruise, walk me through some of the museum’s standout pieces.

    Top of the list is, of course, the Tutankhamun exhibit. Almost everything from his tomb, much of it never shown outside the Valley of the Kings, is here, from his golden funerary mask to delicate jewellery and ceremonial objects. But the GEM isn’t just about one boy king.

    GEM entrance is guarded by an 11-metre-tall Ramesses II statue.
    An 11-metre-tall Ramesses II statue guards the entrance. (Image: Natasha Bazika)

    Essam points out the canopic chest of Hetepheres, mother of Khufu, where her organs were stored in alabaster. I loved the forty little marching soldier figurines from the tomb of Mesehti, all lined up and hanging on a wall. And then there’s the statue of Metri, a scribe, with piercing blue eyes carved from lapis lazuli. All these pieces, and thousands more, now sit under one roof. And for the first time, people can see Egypt’s history in one place, told in its own voice, without leaving the shadow of the pyramids. That alone changes everything.