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Review: Lanzerac Hotel & Spa, Stellenbosch

Nikki Wallman discovers a grand old dame of South Africa’s Cape Winelands who retains all her history and character – while enjoying a luxurious facelift.

When it comes to hotels, there’s a time for the cool and cutting-edge; and there’s a time for those rare, well-worn gems where the walls whisper history and old-school hospitality lives on.

A recent visit to South Africa’s Cape Winelands – a patchwork quilt of gorgeous old towns, vineyards and valleys just an hour from Cape Town – was one of those times.

Located five minutes’ drive from the lively university town of Stellenbosch, Lanzerac Hotel & Spa nestles comfortably into the foothills of the Jonkershoek Valley as though it’s been there forever.

Indeed, the wine estate’s history dates back to 1692, with various owners and name-changes (it was originally called Schoongezicht, or ‘beautiful view’).

As such, it has layer upon layer of history: the release of the world’s first bottled Pinotage in 1961; one owner’s painstaking collection and restoration of beautiful antiques (many remain today); the designation of its Manor House as a national monument; and famous guests including Bobby Kennedy, modern-day heads of state and celebrities.

The current owners are giving the old dame an extensive nip-and-tuck, which started with the on-site wine tasting room and delicatessen and is currently in the midst of a rolling renovation of all 48 rooms and suites, plus the spa (due for completion by the end of 2016).

Driving up the imposing, tree-lined driveway, the hotel’s tremendous sense of history and character unfurls.

Framed in the foreground by a circular, manicured lawn and in the background by those magnificent mountains, the sprawling network of thick-walled, classic white Cape Dutch buildings is offset by pops of bright pink bougainvillea.

Our party – myself, husband and baby, and my parents – is warmly greeted with flutes of Champagne (orange juice for our son) as we take in the lobby’s soaring wooden ceilings, gold-framed portraits and polished marble floors.

My parents are particularly excited. The day before, they had received an apologetic email: the room they had requested was, in fact, occupied by a bride and groom who had extended their stay. Would they mind terribly if they were upgraded to the Presidential Suite? (This is the biggest, uh, issue we encounter during our visit.)

Our own Junior Suite is yet to undergo the refurbishment that’s seen a subtle, luxurious modernisation of around half the rooms thus far: think soft pastel-hued wallpapers, light wooden ceiling beams, deep bathtubs, and glass chandeliers, paired with (in many cases, original) ornate antique furniture and plush leather pieces to retain a sense of history.

Tucked privately away off a quiet courtyard, our expansive space is highlighted by a rich red Persian rug, reassuringly heavy curtains, and leather bedhead, creating an aura of lived-in luxury in the golden light of the overhead chandelier.

Wooden ceiling beams, botanical prints and heavy-set furniture add to the ambience.

There’s so much room, we almost feel we should invite some guests around after drinks on the terrace for a good old-fashioned knees-up, just to justify it all.

The bathroom is also enormous, with a claw-foot bathtub, shower and separate toilet. It leads out to our private courtyard with water fountain and mountain views.

We meet my parents for pre-dinner drinks on the lovely white table-clothed terrace, where the setting sun splinters through old oak trees.

The hotel’s drinking and dining spaces embody its aura of historic hospitality; the Taphuis bar is one of the Cape’s oldest, with antique wooden furnishings, large fireplace and stone floors polished by the happy heels of guests past.

There’s also the Esquire Whiskey & Cigar bar; the Governors Hall restaurant, where dinner (Fynbos honey-glazed pork belly, shiitake-crusted springbok loin), lunch and breakfast (from oysters and Champagne to breakfast burgers) are served; and the wonderfully old-school Craven Lounge, where cognac is taken and newspapers rustle.

With baby on board, we don’t make it to the wine tasting room or lovely outdoor pool.

Mum and I do, however, steal away to the spa, where I bliss out during a heavenly facial featuring grape-based skincare products.

Reclining by the indoor pool, gazing at the mountain views through enormous windows overlooking the vineyards, I’m immersed in the serenely gorgeous surroundings.

Therein lies Lanzerac’s charm, really: the sense that simply by visiting, and partaking of its beauty, that you too become a part of its story.

I’ll be back to try out those new rooms – and the hotel’s next chapter – for myself.

THE DETAILS

Lanzerac Hotel & Spa 1 Lanzerac Road, Stellenbosch, South Africa

The IT Verdict

This elegantly luxurious, historic haven among the vines is the perfect way to soak up the sights and flavours of the Cape Winelands.

  • Location: 9 / 10
    Close to Stellenbosch yet totally private, you’ll feel you’ve truly escaped daily life.
  • Style / character: 9 / 10
    You can’t beat a hotel that so encapsulates the history of its location: the antiques, the wines, the jaw-dropping scenery… and modern renovations promise to keep things five-star.
  • Service: 8.5 / 10
    Classy without being stuffy, but sometimes a tad slow.
  • Rooms: 8.5 / 10
    Classic luxury with character. A few small elements were in need of an update, which the renovations will no doubt address.
  • Food and drink: 8.5 / 10
    A clever fusion of European classics with South African flavours, complemented by a variety of cosy drinking dens.
  • Value for money: 8 / 10
    We paid $415 per night for our Junior Suite, including breakfast – you’d pay more for the equivalent in Australia.

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At the foot of the pyramids, Egypt finally tells its own story

    Ancient Egyptian history has been scattered across the globe for decades, admired, preserved, and studied, but it’s rarely seen where it actually belongs. The newly opened Grand Egyptian Museum (GEM) brings it home.

    From a viewing platform inside the Grand Egyptian Museum, the Great Pyramids of Giza rise from the desert, and for a moment, it feels like modern Egypt and ancient Egypt are shaking hands. The museum, grand in name and reality, has been a long time coming—since 1992, to be exact. Towering pharaohs, relics, and entire chapters of civilisation are on display here, all in full view of the pyramids. And because the GEM is the largest archaeological museum in the world dedicated to a single civilisation, it gets to tell Egypt’s story through its own voice, something many overseas institutions, understandably, haven’t quite managed.

    Reshaping Giza

    GEM entrance and gardens
    The GEM holds its own commanding position. (Image: Natasha Bazika)

    You might expect any building beside the Great Pyramids of Giza to fade into the background, but the GEM doesn’t bow to its famous neighbours. Perfectly aligned on the same axis and vast enough to span 70 football fields, the museum is less of an addition to Giza and more of a marker of the shift from a gateway to a cultural district.

    Inside, hieroglyphs carved from alabaster sweep across the walls and triangles appear everywhere, yet it’s a 3,200-year-old, 11-metre-tall, statue of Ramesses II who commands the room. His scale dictated the soaring atrium ceilings, which pour in natural light, unusual in museums but safe for the stone artefacts displayed.

    Hieroglyphs line the walls of the main entrance of the GEM
    Hieroglyphs line the walls of the main entrance. (Image: Natasha Bazika)

    Unlike many museums, the GEM has really considered how visitors move through it. The six-storey grand staircase leads you chronologically through Egypt’s history, from the Predynastic era to the Coptic period, flanked by statues that grow in scale and complexity as you climb. Elevators and lifts run alongside, keeping the journey accessible to everyone.

    At the top, a viewing wall frames the pyramids before you enter the main gallery to see artefacts rarely seen outside tombs, including the complete contents of Tutankhamun’s tomb, a highlight for many visitors.

    Pharaohs, artefacts and everything in between

    The GEM's showpiece Ramesses II
    The GEM’s showpiece Ramesses II. (Image: Natasha Bazika)

    The GEM holds around 100,000 artefacts across seven millennia, but the experience is entirely modern. Digital panels, QR navigation and clear bilingual signage make self-guided wandering easy, while short, glare-free labels in English, Arabic and braille are colour-coded to move you from broad themes to object-level detail.

    That said, a guide adds context you don’t get from a panel. I was lucky to have Essam Al Ebd Aziz, an Egyptologist, on board a 12-day Uniworld Nile cruise, walk me through some of the museum’s standout pieces.

    Top of the list is, of course, the Tutankhamun exhibit. Almost everything from his tomb, much of it never shown outside the Valley of the Kings, is here, from his golden funerary mask to delicate jewellery and ceremonial objects. But the GEM isn’t just about one boy king.

    GEM entrance is guarded by an 11-metre-tall Ramesses II statue.
    An 11-metre-tall Ramesses II statue guards the entrance. (Image: Natasha Bazika)

    Essam points out the canopic chest of Hetepheres, mother of Khufu, where her organs were stored in alabaster. I loved the forty little marching soldier figurines from the tomb of Mesehti, all lined up and hanging on a wall. And then there’s the statue of Metri, a scribe, with piercing blue eyes carved from lapis lazuli. All these pieces, and thousands more, now sit under one roof. And for the first time, people can see Egypt’s history in one place, told in its own voice, without leaving the shadow of the pyramids. That alone changes everything.